Rowan
March 16th, 2005, 10:43 PM
The Last Star Wars – "60 minutes" interview with George Lucas - March 13-2005 (transcript)
For those who might have missed it and were interested I transcribed it for ya ;) :D
Interviewer:
There has never been a more successful film maker than George Lucas and few movies have had more impact on popular culture than his Star Wars films they basically created a new genre the summer special effects block buster, and they made George Lucas a billionaire. This May with the release of the 6th instalment of Star Wars the saga will finally come to an end after almost 30 years.
[George and interviewer are sitting at a desk watching a screen with an animated scene on it.]
I: is this the movie?
GL: This is the movie, this is the final movie
Interviewer voice over [a series of short clips from the movie is show]: In an edit room at Skywalker Ranch George Lucas is giving us what millions of fans would kill for a sneak peak at his last Star Wars movie. Its official title is Revenge of the Sith.
GL: it’s much more dark, it’s much more emotional, it’s much more of a tragedy
Interviewer voice over [more short clips]: the new film is the last of the 3 prequels Lucas began 6 years ago. In the first Anakin Skywalker was a cherubic 9 yr old in episode 2 he fell in love and now in episode 3 Anakin succumbs to the dark side and to his inevitable fate becoming Darth Vader.
I: he’s a nice guy up to now and we like him a lot, and we are going to watch him turn to the devil
GL: were going to watch him make a pact with the devil
Interviewer voice over [clip of the volcanoes and fire]: the climactic battle takes place on a sea of fire, lava actually on a planet filled with nothing but volcanoes.
I: do you actually take us down in the biblical sense into hell?
GL: ah yes!
I: the lava
GL: the lava at the end…
I: is hell!
GL: yes, it ends in hell.
Interviewer voice over [series of clips from new movie] : before that of course it has all the SW staples Jedi’s and droids and Wookies. But this is definitely not a kiddie flick.
GL: my feeling it that is will probably be a pg 13 so it will be the first SW that’s a PG 13
I: and you won’t fight that?
GL: m m, I would take a 9 or 10 yr old to it or 11 but I don’t think I would take a 5 or 6 yr old to this it’s way to strong. I could pull it back a little bit but I don’t really want to.
I: are you happy with the way it all came out?
GL: ah ya actually, I’m very happy, I’m very please with the whole thing.
Interviewer voice over [images from eps 1 and 2] : but most film critics hated episodes 1 and 2 [a clip of jar jar is shown]
I: how worried are you that the critics are not going to like this new movie.
GL: Oh I’m not worried at all. They haven’t liked any of them really. And they specially haven’t liked the last 2, so hey it can’t get any worse [chuckles]
I: Ya but come on I mean when they go after your writing your directing it has to hurt?
GL: oh it always hurts
I: it has to hurt
GL: it hurts a great deal but part of making movies is that you get attacked and sometimes in very personal ways
I: did you not say ever to yourself well maybe they had a point with this or with that? ‘Cause you seem to be saying that they are just going after you.
GL: well they are there not there not….you know the, the point is um….it’s like a if you paint your house white and somebody comes along and that should be a green house well fine but I wanted to paint it white I don’t think there is anything wrong with painting it white I don’t think there is anything wrong with me for painting it white. Maybe it should be a green house but I didn’t want it to be a green house I want it to be a white house
Interviewer voice over [images of GL at work]: That is George Lucas he knows exactly what he wants in his movies and critics be damned he gets it.
[a clip of the movie being worked on with GL giving directions to the animator as to how he wants one of the robots to move across the screen.]
Interviewer voice over: I mean he’s paying for everything, he’s financing the movie himself no studio looking over his shoulder and he owns Industrial Lights and Magic
The special effects company where every shot is tailored to his demanding specifications they’ve been working on this sequence for 10 weeks
I: about how much time is this going to take in the movie, this whole thing we just saw?
GL: oh that shot? That little thing right there is like what? One second 2 seconds?
I: when we spoke to you 6 years ago when you were making episode 1 um your goal was to make an entirely digital movie 100% have you done that now?
GL: ah ya you know…
I: so no film at all none?
GL: none
Interviewer voice over: digital cameras digital effects even digital characters George Lucas and his wizards at ILM like animation supervisor Rob Coleman really are leading a revolution in movie making
I: What is the single biggest difference for you since we were here 6 yrs ago
RC: I think the biggest thing is that we are now doing Yoda. When you were here last Yoda was a rubber puppet.
I Voice over: for ep. 1 in 1999 Yoda was operated by puppeteer Frank Oz of Muppets fame just as he had been back in the 80’s but puppets can’t do this [clip of Yoda with the light sabre] Yoda had been digitised.
RC: he’s a supporting actor
I: he is a supporting actor!
RC: Ya
I: And he is 100% digital?
RC: 100%
I: 15 different computer animators helped create Yoda. His body his clothes his hair and that face
[Clip of Yoda’s digitised face in slow motion is shown]
RC: so I’m going one frame at a time right here and you can actually see going backwards right now and you can actually see his mouth will open here in a moment …see?! You can actually… see the different shapes? [Pointing to the screen at Yoda’s mouth]
I: ya ya ya …just he way we talk
RC: they’re actually animating the tongue in there!
I: to do this did you study? Did you take a real person and look at it?
RC: ya [he reaches around beside his computer and pulls out a mirror]
I: and break it down to 24 frames [she sees the mirror RC is grinning] oh no you...No come on!!
RC: ya!! Every animator has a mirror on their desk and they look and they talk [he demonstrates] into it [Interviewer laughs]
I: digital acting
RC: digital acting!
I: it’s an all new expression
RC: ya!
Interviewer voice over
And some of the human actors in the movie have digital doubles
For those who might have missed it and were interested I transcribed it for ya ;) :D
Interviewer:
There has never been a more successful film maker than George Lucas and few movies have had more impact on popular culture than his Star Wars films they basically created a new genre the summer special effects block buster, and they made George Lucas a billionaire. This May with the release of the 6th instalment of Star Wars the saga will finally come to an end after almost 30 years.
[George and interviewer are sitting at a desk watching a screen with an animated scene on it.]
I: is this the movie?
GL: This is the movie, this is the final movie
Interviewer voice over [a series of short clips from the movie is show]: In an edit room at Skywalker Ranch George Lucas is giving us what millions of fans would kill for a sneak peak at his last Star Wars movie. Its official title is Revenge of the Sith.
GL: it’s much more dark, it’s much more emotional, it’s much more of a tragedy
Interviewer voice over [more short clips]: the new film is the last of the 3 prequels Lucas began 6 years ago. In the first Anakin Skywalker was a cherubic 9 yr old in episode 2 he fell in love and now in episode 3 Anakin succumbs to the dark side and to his inevitable fate becoming Darth Vader.
I: he’s a nice guy up to now and we like him a lot, and we are going to watch him turn to the devil
GL: were going to watch him make a pact with the devil
Interviewer voice over [clip of the volcanoes and fire]: the climactic battle takes place on a sea of fire, lava actually on a planet filled with nothing but volcanoes.
I: do you actually take us down in the biblical sense into hell?
GL: ah yes!
I: the lava
GL: the lava at the end…
I: is hell!
GL: yes, it ends in hell.
Interviewer voice over [series of clips from new movie] : before that of course it has all the SW staples Jedi’s and droids and Wookies. But this is definitely not a kiddie flick.
GL: my feeling it that is will probably be a pg 13 so it will be the first SW that’s a PG 13
I: and you won’t fight that?
GL: m m, I would take a 9 or 10 yr old to it or 11 but I don’t think I would take a 5 or 6 yr old to this it’s way to strong. I could pull it back a little bit but I don’t really want to.
I: are you happy with the way it all came out?
GL: ah ya actually, I’m very happy, I’m very please with the whole thing.
Interviewer voice over [images from eps 1 and 2] : but most film critics hated episodes 1 and 2 [a clip of jar jar is shown]
I: how worried are you that the critics are not going to like this new movie.
GL: Oh I’m not worried at all. They haven’t liked any of them really. And they specially haven’t liked the last 2, so hey it can’t get any worse [chuckles]
I: Ya but come on I mean when they go after your writing your directing it has to hurt?
GL: oh it always hurts
I: it has to hurt
GL: it hurts a great deal but part of making movies is that you get attacked and sometimes in very personal ways
I: did you not say ever to yourself well maybe they had a point with this or with that? ‘Cause you seem to be saying that they are just going after you.
GL: well they are there not there not….you know the, the point is um….it’s like a if you paint your house white and somebody comes along and that should be a green house well fine but I wanted to paint it white I don’t think there is anything wrong with painting it white I don’t think there is anything wrong with me for painting it white. Maybe it should be a green house but I didn’t want it to be a green house I want it to be a white house
Interviewer voice over [images of GL at work]: That is George Lucas he knows exactly what he wants in his movies and critics be damned he gets it.
[a clip of the movie being worked on with GL giving directions to the animator as to how he wants one of the robots to move across the screen.]
Interviewer voice over: I mean he’s paying for everything, he’s financing the movie himself no studio looking over his shoulder and he owns Industrial Lights and Magic
The special effects company where every shot is tailored to his demanding specifications they’ve been working on this sequence for 10 weeks
I: about how much time is this going to take in the movie, this whole thing we just saw?
GL: oh that shot? That little thing right there is like what? One second 2 seconds?
I: when we spoke to you 6 years ago when you were making episode 1 um your goal was to make an entirely digital movie 100% have you done that now?
GL: ah ya you know…
I: so no film at all none?
GL: none
Interviewer voice over: digital cameras digital effects even digital characters George Lucas and his wizards at ILM like animation supervisor Rob Coleman really are leading a revolution in movie making
I: What is the single biggest difference for you since we were here 6 yrs ago
RC: I think the biggest thing is that we are now doing Yoda. When you were here last Yoda was a rubber puppet.
I Voice over: for ep. 1 in 1999 Yoda was operated by puppeteer Frank Oz of Muppets fame just as he had been back in the 80’s but puppets can’t do this [clip of Yoda with the light sabre] Yoda had been digitised.
RC: he’s a supporting actor
I: he is a supporting actor!
RC: Ya
I: And he is 100% digital?
RC: 100%
I: 15 different computer animators helped create Yoda. His body his clothes his hair and that face
[Clip of Yoda’s digitised face in slow motion is shown]
RC: so I’m going one frame at a time right here and you can actually see going backwards right now and you can actually see his mouth will open here in a moment …see?! You can actually… see the different shapes? [Pointing to the screen at Yoda’s mouth]
I: ya ya ya …just he way we talk
RC: they’re actually animating the tongue in there!
I: to do this did you study? Did you take a real person and look at it?
RC: ya [he reaches around beside his computer and pulls out a mirror]
I: and break it down to 24 frames [she sees the mirror RC is grinning] oh no you...No come on!!
RC: ya!! Every animator has a mirror on their desk and they look and they talk [he demonstrates] into it [Interviewer laughs]
I: digital acting
RC: digital acting!
I: it’s an all new expression
RC: ya!
Interviewer voice over
And some of the human actors in the movie have digital doubles